Anonymous asked:

what is poetry?

boykeats Answer:

you know how, when you’re a young kid, your parents take you to visit a lake, and you’re doing all that fun young kid stuff like cannonballs off the dock, digging your toes into the mud, pretending to be a mermaid or a manatee or submarine captain? when suddenly the clouds that had covered the sun move aside, and the surface of the lake is touched everywhere with bright gold flecks of light, and you stop what you’re doing to stare in awe at something you’d never realized before was so heart-wrenchingly beautiful? and the moment is gone as quick as it came, you’re right back to splashing water at one of your siblings, but that night, after showers and dinner and climbing into bed, just before you fall asleep, the image of the sun-kissed lake returns to you, hazy with your almost-dreaming but still so warm and striking? poetry is the written act of recognizing the way the light touches the water and the way that you looking at this changes you

nonbinary-bosmer:

mystery-ink:

vintage-soleil:

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Ruby Keeler & Lee Dixon dance on a giant typewriter in Ready, Willing & Able (1937)

So jaded by cgi that I didn’t think this was impressive at all until I realised it was all an actual size set

It took me a solid few seconds to realize those type bars swinging back and forth at the top are actually peoples legs

(via spongebobssquarepants)

mildlydiscouraging:

exitmusicfrafilm:

exitmusicfrafilm:

fuck does anyone have that poem thats like the speaker used to press her ear to conch shells when she was a child but as an adult the world has closed its second mouth or something

I FOUND IT ITS SANITY BY CAROLINE BIRD

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[ID: The poem “Sanity” by Caroline Bird as it appears on Poetry Foundation (link here). It reads:

“I do kind gestures. Remove my appendix. /
I put my ear to a flat shell and—nothing. /
I play the lottery ironically. Get married. /
Have a smear test. I put my ear to the beak /
of a dead bird—nothing. I grow wisdom /
teeth. Jog. I pick up a toddler’s telephone, /
Hello?—No answer. I change a light bulb /
on my own. Organize a large party. Hire /
a clown. Attend a four-day stonewalling /
course. Have a baby. Stop eating Coco Pops. /
I put my ear right up to the slack and gaping /
bonnet of a daffodil—. Get divorced. Floss. /
Describe a younger person’s music taste as /
‘just noise.’ Enjoy perusing a garden center. /
Sit in a pub without drinking. I stand at the /
lip of a pouting valley—speak to me! /
My echo plagiarizes. I land a real love plus /
two real cats. I never meet the talking bird /
again. Or the yawning hole. The panther /
of purple wisps who prowls inside the air. /
I change nappies. Donate my eggs. Learn /
a profound lesson about sacrifice. Brunch. /
No singing floorboards. No vents leaking /
scentless instructions. My mission is over. /
The world has zipped up her second mouth.”

End of description.]

wovi:

wovi:

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mortifying ordeal, etc. 🕊

(claire schwartz / coco mellors)

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white oleander (2002) dir. peter kosminsky

metamorphesque:

“I was always ashamed to take. So I gave. It was not a virtue. It was a disguise.”

Anaïs Nin, The Diary Of Anais Nin, Vol. 4: 1944-1947


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